#Any movie suggestion professional#
to the novels that line his bar The Dickens, to the entertaining barflies who become his surrogate family, and to “the male sciences”: drinking, respecting women, forging a professional identity. But who needs him, anyway? J.R.’s Uncle Charlie (Affleck) is better than a dad, introducing J.R. poignantly listens to his AWOL dad’s radio show. move in with her kind but flatulent father (Christopher Lloyd, 83). J.R.’s dad (Max Martini, 52), a DJ and a jerk, left his mom (Lily Rabe), so she and J.R. Moehringer’s memoir about his childhood in a Long Island bar in the ’70s. 31 to Netflixįormer young hunk Ben Affleck, 49, plays an avuncular grownup in a sweet, gentle adaptation of Pulitzer Prize winner J.R. An original character study that spirals like a thriller, The Lost Daughter is an exhilarating, unsparing examination of modern motherhood - its joys and discontents. Enter the brilliant Jessie Buckley in flashback as the younger Leda, raising daughters while pursuing an ambitious intellectual career, struggling with domesticity’s crushing demands and seduced at an academic conference by Professor Hardy (Gyllenhaal’s husband, Peter Sarsgaard, 50). As Leda becomes obsessed with Nina, her clingy young daughter and the extended family swirling around them, the encounter triggers sharp, undigested personal memories - and reveals the past choice that, even now, defines Leda. She travels solo to a Greek island for summer sun and self-care but, curious, can’t resist getting entangled in the traumas of glistening young mother Nina (Dakota Johnson). Among 2021’s best, the vibrant drama centers on Leda (a glorious Olivia Colman, 47), an academic pushing 50. Maggie Gyllenhaal makes a bold writer-director debut unpacking Elena Ferrante’s slim, scorching novel. 17 to theatersĭon’t miss this: The 20 best movies of 2021 Blanchett’s sharp, arch looks and darting emotions are a natural for noir, and Strathairn is great as the carnies’ shattered moral conscience. But it holds your attention as the killer cast messes with your mind. Will he find true magic with a circus girl (Rooney Mara) who’s as radiant as the heroine in Fellini’s La Strada? Or go bad, helping a terrifying psychiatrist ( Cate Blanchett, 52) fleece a sinister plutocrat (Richard Jenkins, 74)? The tale is propulsive yet shapeless, just one darkly dazzling scene after another.
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A grifter (Bradley Cooper) flees his fiery past into a lurid circus and learns the art of the con from a clairvoyant ( Toni Collette) and her drunk, broken mentalist husband (David Strathairn, 72).
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Guillermo del Toro’s spectacularly nasty carnival movie is like a bitter reply to his smash 2017 romance The Shape of Water - as gorgeous, dreamy and visually inventive, only infinitely bleak.